The last couple of weeks have been... let’s just say “eventful.” Every time we release a new pedal, there’s a predictable rush - a flurry of activity as people scramble to be among the first to post demos. And while that energy is exciting, it also reveals the complicated dynamic between small builders like us and the content creator ecosystem that now surrounds gear culture.

As a small company, we don’t have the luxury of throwing $15k at a marketing campaign, bringing in the usual YouTubers to showcase our gear. Instead, we turn to a couple of long-standing friends of the brand: Ola Englund and Jason Frankhouser. These guys don’t do it for money - they support us out of genuine friendship, and we’re incredibly grateful for that. It’s a rare kind of loyalty in today’s world.

Of course, if we had the budget to hire everyone under the sun, we’d love to. But we have to be realistic.

Now, when I talk about a “scramble” to get demos up, I’m mainly referring to newer YouTubers and aspiring influencers who are eager to make their mark. Getting a video out early means capturing views - and in this game, views are everything. Ola’s video always goes live with the product launch, but the second demo spot? That’s prime real estate.

Here’s where things get tricky.

We truly appreciate every single demo of our products. If someone buys a pedal from us and puts the time into creating a video, that means a lot. Seriously. But there’s a clear difference between creators who treat this like a collaboration and those who don’t.

The professional demo artists reach out when something’s unclear. They read the manual, test the product, and take time to understand what it does before hitting “record.” Others, unfortunately, don’t. And often, the result is a messy, misinformed video - framed with a clickbait title, a garish thumbnail, and maybe a dose of made-up drama - all designed to drive traffic, even if it does a disservice to the product.

Take the now-infamous Truck Driver Shawn video. If you haven’t seen it… well, let’s just say it’s a textbook example of what not to do.

The pedal was pulled straight from the box, plugged in, and recorded - a quick scan of the manual, no tweaking, no preparation. Modern pedals aren’t plug-and-play anymore. Five minutes tweaking the pedal with the manual would have made a world of difference.

What’s more disappointing is how some creators handle feedback. I reached out respectfully in the comments - offered help, asked for a rethink of the video’s thumbnail and title. Shawn acknowledged being a fan of our brand, but then went silent. No response. The original video stayed up, even though he later uploaded a much better version. That sends a message—and not a great one.

Now, contrast that with another video titled “Fortin drama is crazyy.”

Sounds sensational, right? But here’s the difference: that creator didn’t play the pedal or even show it on screen—he just discussed the existing videos and rumors swirling around. One of the rumors? That we had some falling out with Meshuggah, apparently evidenced by… a piece of tape on an amp at the NeuralDSP booth. (Spoiler: totally false.)

But here’s what he did do right: he asked questions. I answered. And he pinned my response at the top of the comments. That’s how you handle things like a pro. Still clickbaity, sure—but at least the facts were allowed to surface.

Then there are the demos we love to see. No drama. No over-the-top thumbnails. Just solid playing, clear explanation of the controls, great tone, and most importantly - respect for the gear. These creators may not shout the loudest, but their videos speak volumes.

Being a demo artist is about trust. Want to build a following? Want to be taken seriously? Then treat the gear and the brands behind it with the same respect you want from your viewers. If something doesn’t sound right, maybe - just maybe - it’s not the pedal. Ask. Reach out. Don’t burn bridges just to get clicks.

Because in the long run, your reputation will matter more than your view count.



JW

The Reality Behind Pedal Launches and Demos: A Look Behind the Curtain


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